The inside cat would like my attention. She wants to sit on the pages of my assignment which are spread around me in a half circle in front of the fire. When I decide to tidy up a bit she jumps about trying to sit on the papers I am touching, only for me to add them to the pile and reach for another one which she must, in turn, sit on.
I go to the kitchen to check her food bowl and she follows, purring. It's full.
She wants to be with me in the toilet, poking her paw under the door and trying to swing it open enough to get through. On my way out I pick up her dry sick from the carpet with a piece of toilet paper and dispose of it. She's had plenty to eat.
In bed she wants to sit on my chest, padding and purring loudly, before finally settling down at my feet.
I didn't want her.
After the old cat died I had hoped the outside cat would get a second chance to be an inside cat. When we got the outside cat the old cat made it clear there could be only one.
The old cat was like having my own dog. Whenever I pulled up in the car outside the house he would come running from some hedge or other on the street, where he had been waiting for my return to greet me. I had him for eight years.
One night, when my girlfriend of the time had been out with her friends til the early hours of the morning, I heard the front door open and the sound of her stumbling in. The next thing I knew there was a pressure on the pillow beside me and something cold and wet in my ear. The cat had followed her in.
We had never seen this cat before, though we had lived in the house for some months, but he struck me as a very polite cat. We didn't feed him at first and he was very good about it, but after a week it was obvious he was there to stay and we bought that first pot of cat food.
He wasn't the type to twine around your legs in that irritating way to suggest he wanted something. He was content to merely sit at a civilised distance and give you one quiet but assertive meow. If you took a step towards him he would lurch forward and butt your leg with his head. He wasn't terribly keen on being patted, but if you put your face near his he would happily exchange headbutts for ages. I got so much into the habit of expecting headbutts from small animals that when an acquaintance introduced me to his Shi-Tzu I horrified him by pressing my forhead to the dog's before I realised what I was doing
The cat - the old cat - had no tail. For me all cats with tails began to look odd. He outlasted the girlfriend and lived with me in four successive houses. He left a scar on the nose of the Pitbull-SharPei cross a friend brought to our house and who really wanted to make friends with the ball of black fur under the coffee table.
We had our little games. I would try to make him symmetrical and he would rear back and with both paws scratch me symmetrically on both cheeks - but he never really put his claws out. And whenever I pulled the car up outside the house he would come running from wherever he was.
Eventually the old cat became the disgusting cat. His bottom was never clean, and neither was the furniture where he used to sit. He started to always be hungry, and lost his politeness about asking. He stopped burying his doings, and soon there was no spot on the back lawn where you could safely put your foot.
I took him to the vet, and they said they could do a test for two hundred dollars but that that would only tell them which thousand dollar course of treatment to pursue. I took him home and read about cat diets on the internet. I snarled at the children to stop giving him milk and stopped feeding him biscuits in favour of pieces of raw meat.
It seemed to be working. He perked up and his bottom started being clean again. And then after a week there was a knock at the door. I opened it to two stern faced ladies from the old-folks home kitchen. One of them held the old cat, his back end wrapped in a towel. I should take better care of him they said. They'd cleaned him up they said. They'd been feeding him left-overs and cheese they said.
I took him back and begged them not to feed him again. So much for controlling his diet.
A few days later I came home for lunch and saw him through the window lying very still under a tree in the only sunny spot. I went out to see him. I finally acknowledged how thin he had become. His face was limp and his breathing shallow. I stroked him and told him I was glad he had found the sun, and that night I took him back to the vet...
I didn't want the new cat - the inside cat. She had a tail for starters, and the outside cat had just started showing his face again. But it was hard not to smile at her tiny kitten tail quivering with ecstasy at her first taste of tinned fish.
Now she is walking back and forth over my keyboard, but she at least has the good manners not to actually tread on it. And when I pull the car up outside my house, she comes running.
Friday, May 6, 2011
Tuesday, April 12, 2011
Twilight? Not yet. Brideshead takes over.
I'm looking, no, staring, at the front page of Twilight by Stephanie Meyer and I just can't do it. I will. ...just not today.
The problem is I've just finished reading Brideshead Revisited by Evelyn Waugh, and, perhaps fittingly I'm reluctant to hurry the drifting away of that world from my mind by pushing another story in just yet.
This is the only of Waugh's novels that I have read, but, judging by other of his titles - A handful of Dust, Decline and Fall - there might be an overall theme to his work. Certainly these two titles would be excellent titles for a review of this novel, which follows the descent out of the heavenly state of youth and into bleak adulthood for its narrator, and also the last years of a wealthy english aristocratic family. The novel ends with the once grand house empty at the end of world war II, and with the last members of the family unlikely to produce heirs. The glory of the twenties, both at Oxford, and in the lives of the privileged, so enchantlingly portrayed when the story begins, has drifted away like a handful of dust.
Charles Ryder, who narrates the story looking back from the point of view of a lonely middle-aged army captain at the end of the war, befriends the flamboyant Sebastian Flyte in their first year at Oxford in 1920 after Sebastian, passing by drunk, vomits into his window. For the next two years Ryder, Flyte, and Aloysius - Flyte's teddybear - are inseparable. Sebastian, the spoiled second son of a well-to-do aristocratic and catholic family, takes Charles home to meet his old nanny, taking care to avoid his actual family as it seems he is reluctant to involve Charles with them. That involvement is inevitable however, and as Charles, who for close family has only his hostile and sarcastic father, becomes closer to the rest of the Flytes, Sebastian becomes more distant. The story, painfully beautiful, gives the impression of an ancient edifice, with time, like a chill wind, blowing through it.
It's been three days since I began this post. Stephanie Meyer has still not got my attention. I went back to read the introduction of Brideshead and, though I'm a bit busier this week, have found myself halfway through it again. It's completely put me off fantasy for the moment. Why do you need fantasy if a story on earth can be told so well?
Evelyn Waugh was a convert to Catholicism. In part the story portrays the passing of an ancient family line; the end of the age of privilege with hints of the rise of mediocrity. But as much as that it is about catholicism. The six members of the Sebastian's family are - for want of a better word - infected with Grace, and each responds differently to its overwhelming presence in their lives. From the eldest son, Brideshead's complete unquestioning, boring adherence to the tenets; Sebastian and Julias' individual rebellions; to their father's - who converted on his marriage - complete rejection of it, Grace gets them all in the end one way or another.
The book brought meaning to the oft-quoted "once a catholic, always a catholic". It echoed exactly the way my catholic sister describes her religion, and also came some way to explaining to me why the couple of catholic girls for whom in my late teens I had such deep but unrequited feelings were not interested even when at the same time they seemed they might be.
I haven't been affected this much by a novel for quite some time. Most people I know think of the TV series from 1981 when the title is mentioned. I've not seen it but I might have to now.
If you haven't read it, do.
The problem is I've just finished reading Brideshead Revisited by Evelyn Waugh, and, perhaps fittingly I'm reluctant to hurry the drifting away of that world from my mind by pushing another story in just yet.
This is the only of Waugh's novels that I have read, but, judging by other of his titles - A handful of Dust, Decline and Fall - there might be an overall theme to his work. Certainly these two titles would be excellent titles for a review of this novel, which follows the descent out of the heavenly state of youth and into bleak adulthood for its narrator, and also the last years of a wealthy english aristocratic family. The novel ends with the once grand house empty at the end of world war II, and with the last members of the family unlikely to produce heirs. The glory of the twenties, both at Oxford, and in the lives of the privileged, so enchantlingly portrayed when the story begins, has drifted away like a handful of dust.
Charles Ryder, who narrates the story looking back from the point of view of a lonely middle-aged army captain at the end of the war, befriends the flamboyant Sebastian Flyte in their first year at Oxford in 1920 after Sebastian, passing by drunk, vomits into his window. For the next two years Ryder, Flyte, and Aloysius - Flyte's teddybear - are inseparable. Sebastian, the spoiled second son of a well-to-do aristocratic and catholic family, takes Charles home to meet his old nanny, taking care to avoid his actual family as it seems he is reluctant to involve Charles with them. That involvement is inevitable however, and as Charles, who for close family has only his hostile and sarcastic father, becomes closer to the rest of the Flytes, Sebastian becomes more distant. The story, painfully beautiful, gives the impression of an ancient edifice, with time, like a chill wind, blowing through it.
It's been three days since I began this post. Stephanie Meyer has still not got my attention. I went back to read the introduction of Brideshead and, though I'm a bit busier this week, have found myself halfway through it again. It's completely put me off fantasy for the moment. Why do you need fantasy if a story on earth can be told so well?
Evelyn Waugh was a convert to Catholicism. In part the story portrays the passing of an ancient family line; the end of the age of privilege with hints of the rise of mediocrity. But as much as that it is about catholicism. The six members of the Sebastian's family are - for want of a better word - infected with Grace, and each responds differently to its overwhelming presence in their lives. From the eldest son, Brideshead's complete unquestioning, boring adherence to the tenets; Sebastian and Julias' individual rebellions; to their father's - who converted on his marriage - complete rejection of it, Grace gets them all in the end one way or another.
The book brought meaning to the oft-quoted "once a catholic, always a catholic". It echoed exactly the way my catholic sister describes her religion, and also came some way to explaining to me why the couple of catholic girls for whom in my late teens I had such deep but unrequited feelings were not interested even when at the same time they seemed they might be.
I haven't been affected this much by a novel for quite some time. Most people I know think of the TV series from 1981 when the title is mentioned. I've not seen it but I might have to now.
If you haven't read it, do.
Tuesday, April 5, 2011
Oh what a fraud I have been...
Isaac Albeniz.
Long ago, when the internet was still a novelty and hotmail was nearly new I decided to get me one of them e-mail addresses. At first I used my real name, but as hotmail was only nearly new it had to be timrobinson_27 or tim_robinson3 or something like that, and after obsessively e-mailing all my friends and wondering why they so swiftly tired of replying I forgot the password and didn't bother again for a while.
The next time I decided that I needed e-mail, I resolved to choose a really cool and original handle for myself: one that reflected who I was and what I aspired to at the time. Being a fan of the french composer Debussy, and vainly convinced that I looked just a little bit like him too, I decided that I was to be debussy@ hotmail.
"debussy" was taken, the much less cool debussy27 or debussy36 were available, but such also-ran alternatives were not for me.
I thought again. At the time I had been enjoying crashing my way (badly) through a couple of the late piano works of Brahms...
By the way I love Brahms. His music is to me like great pieces of rough-hewn rustic oak furniture: big gestures drawn in big strokes. Not pernickity like Mozart or Haydn, bigger than Beethoven, but despite all that as finely crafted as Bach. .. and that reminds me of an episode where I excitedly played one of these pieces at one of our local composers, a man twice my age at the time, and him afterwards massaging his stubby fingers into the fleshy part of my thigh and telling me he thought I'd make a really good Brahms pianist. I was a little shocked and leapt a little too fast out of my seat. Perhaps he thought I was flirting when I told him I didn't really like Tchaikovsky as the indulgence of it all made me feel dirty...
Anyway, I digress... I was to be "brahms@ hotmail". Much better. Much less girly-sounding than debussy too (not that I think Debussy is girly, ...did you know that the freudian interpretation of L'isle Joyeuse is that it depicts the male orgasm?... just his name).
"brahms" was not available. brahms27 or brahms_36 however... you get the idea
Thinking again I remembered I really liked a particular piece of music I had found in a second hand bookstore earlier in that year. The Godowsky arrangement of the Tango by Isaac Albeniz. This is it:
Long ago, when the internet was still a novelty and hotmail was nearly new I decided to get me one of them e-mail addresses. At first I used my real name, but as hotmail was only nearly new it had to be timrobinson_27 or tim_robinson3 or something like that, and after obsessively e-mailing all my friends and wondering why they so swiftly tired of replying I forgot the password and didn't bother again for a while.
The next time I decided that I needed e-mail, I resolved to choose a really cool and original handle for myself: one that reflected who I was and what I aspired to at the time. Being a fan of the french composer Debussy, and vainly convinced that I looked just a little bit like him too, I decided that I was to be debussy@ hotmail.
"debussy" was taken, the much less cool debussy27 or debussy36 were available, but such also-ran alternatives were not for me.
I thought again. At the time I had been enjoying crashing my way (badly) through a couple of the late piano works of Brahms...
By the way I love Brahms. His music is to me like great pieces of rough-hewn rustic oak furniture: big gestures drawn in big strokes. Not pernickity like Mozart or Haydn, bigger than Beethoven, but despite all that as finely crafted as Bach. .. and that reminds me of an episode where I excitedly played one of these pieces at one of our local composers, a man twice my age at the time, and him afterwards massaging his stubby fingers into the fleshy part of my thigh and telling me he thought I'd make a really good Brahms pianist. I was a little shocked and leapt a little too fast out of my seat. Perhaps he thought I was flirting when I told him I didn't really like Tchaikovsky as the indulgence of it all made me feel dirty...
Anyway, I digress... I was to be "brahms@ hotmail". Much better. Much less girly-sounding than debussy too (not that I think Debussy is girly, ...did you know that the freudian interpretation of L'isle Joyeuse is that it depicts the male orgasm?... just his name).
"brahms" was not available. brahms27 or brahms_36 however... you get the idea
Thinking again I remembered I really liked a particular piece of music I had found in a second hand bookstore earlier in that year. The Godowsky arrangement of the Tango by Isaac Albeniz. This is it:
That was nice wasn't it. Apparently Jorge Bolet was a student of Godowsky, so if you think it was too slow or out of time you can (at least according to the comments in youtube) go jump...
Anyway. "albeniz@ etc" was available. "Yes!" I thought to myself, and on the strength of one piece of sheet music which I couldn't really play I assumed my hotmail identity for the next ten years.
Of course that made me look spanish. For the first few years I recieved many joyous "Hola Albeniz!" type mails with photos from people's vacations or of their new babies with all the text in Spanish. Somehow I got signed up to something called "boletin el plural" which still arrives weekly in my inbox because I don't know how to unsubscribe.
Worse than all that, when I started using msn messenger I had to always set my status to offline because turkish people would keep messaging me. "salem" they would say... or "merhaba".. or both. I would open messenger up and literally ten windows would pop open:
"salem"
"merhaba"
"merhaba"
"salem"
and they didn't understand when I told them politely in English that I didn't have a clue what they were saying to me.
Eventually one did. He explained to me that "salem" was a friendly greeting and that "merhaba" was slightly more formal. He told me that Albeniz is a very common turkish surname. Then he kindly posted me the link to the online medical journal in which the young student doctor he thought I was appeared...
Truth is stranger than fiction.
Needless to say I do feel I've misled the good people of Turkey and Spain for misappropriating one of their names for my online use that any number of millions of them have far more right to than me. (I'm not giving it back though.. I was there first!)
What's far worse is that in all those years the only piece of music I've ever played by Isaac Albeniz is that tango, and that isn't even the version as he wrote it: it's been prettied up by Godowsky. So when last month I was at the local library and browsing through their small collection of sheet music I found a way to begin setting things right. There on the shelf was a collection of Albeniz piano music.
I've been looking at these two:
I had thought that one was originally for guitar but no! twas originally a piano work, and this one:
which will take me a while to learn.
There. It's been a while since I posted anything much on here. I did try, but was thwarted in my minor goal of using pianists exclusively named Jorge. I did make sure the last two were spanish however.
Perhaps if I learn these pieces I will feel less of a fraud when I use hotmail in future.
all the best
The Gedle
Thursday, March 31, 2011
Happy New Year!
I know, I know, it's nowhere near December but I'm staying in tonight. It's not Matariki, it's not even the chinese new year, not an equinox, a solstice and the lunar perigee was a fortnight ago.
But tonight the bars will (probably) be full. Grey suited men and women will have gathered in the hearts of our cities to nurse affordable cocktails and celebrate the passing of another year. Tomorrow is April first - the start of a new (financial) year - the accountants new year!
Yes tonight is (probably) the time when all true accountants will be out spending the last of the company allowance for deductible entertainment. Later, (probably) there will be a bit of biffo over the relative merits of payments versus invoice based GST calculation, and after the collective box checking at midnight a few will (probably) linger on maudlin over the sad fact that nobody appreciates depreciation anymore.
In the morning, as they all stumble in late, on every desk will (probably) be a brand new, shrink-wrapped set of stationery...
Oh the joy in their darling hearts!
This is a festival few of us are aware of. If you see an accountant tomorrow, be sure to wish them a happy new year!
But tonight the bars will (probably) be full. Grey suited men and women will have gathered in the hearts of our cities to nurse affordable cocktails and celebrate the passing of another year. Tomorrow is April first - the start of a new (financial) year - the accountants new year!
Yes tonight is (probably) the time when all true accountants will be out spending the last of the company allowance for deductible entertainment. Later, (probably) there will be a bit of biffo over the relative merits of payments versus invoice based GST calculation, and after the collective box checking at midnight a few will (probably) linger on maudlin over the sad fact that nobody appreciates depreciation anymore.
In the morning, as they all stumble in late, on every desk will (probably) be a brand new, shrink-wrapped set of stationery...
Oh the joy in their darling hearts!
This is a festival few of us are aware of. If you see an accountant tomorrow, be sure to wish them a happy new year!
Tuesday, March 8, 2011
having trouble making sense of a few things
With a Fee Fie Foe!
Saw a widdle piney toe
And his eggy bobbing handy down the vine
Gone before his lunch
And no-one there to punch
he was teary, for his eggy he did pine
IT'S BEEN DONE BEFORE!
Roared a Heckler from the floor
My hat is younger than your eggy-piner
If it's silly verse you want
Then go read Immanuel Kant
For yourn eggy couldn't hide a moral finer.
Oh wibble, wailed the stealer
I'd spin my spurtle beater
But my piney toe is tangled in the vine,
And I cannot wiggle back
Nor can change this beagle tack
Until the eggy bobbing says she's mine.
Tim R
Saw a widdle piney toe
And his eggy bobbing handy down the vine
Gone before his lunch
And no-one there to punch
he was teary, for his eggy he did pine
IT'S BEEN DONE BEFORE!
Roared a Heckler from the floor
My hat is younger than your eggy-piner
If it's silly verse you want
Then go read Immanuel Kant
For yourn eggy couldn't hide a moral finer.
Oh wibble, wailed the stealer
I'd spin my spurtle beater
But my piney toe is tangled in the vine,
And I cannot wiggle back
Nor can change this beagle tack
Until the eggy bobbing says she's mine.
Tim R
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